Каталог Компакт-диски Зарубежные исполнители JEAN MICHEL JARRE - DESTINATION DOCKLANDS - THE LONDON CONCERT
JEAN MICHEL JARRE - DESTINATION DOCKLANDS - THE LONDON CONCERT
88843024732, remastered, reissue 2014, sealed
Код: 00000141970
Исполнитель: JEAN MICHEL JARRE
Альбом: DESTINATION DOCKLANDS - THE LONDON CONCERT
Фирма: DREYFUS
Страна: Европейский Cоюз
Год: 1989
Жанр: ELECTRONIC
Тип: CD Фирма
Штрих код: 0888430247321
1 800 руб.
| 1 | Introduction (Revolutions) | 1:03 | |
| 2 | Overture (Industrial Revolution) | 3:00 | |
| 3 | Industrial Revolution Part 1, 2, 3 | 5:45 | |
| 4 | Magnetic Fields Part 2 | 4:09 | |
| 5 | Oxygene Part 4 | 3:46 | |
| 6 | Computer Week-End | 5:18 | |
| 7 | Revolutions |
| 3:52 | |||
| 8 | London Kid | 4:57 | |
| 9 | Rendez-Vous Part 4 | 4:16 | |
| 10 | Rendez-Vous Part 2 | 8:54 | |
| 11 | September |
| 4:45 | |||
| 12 | The Emigrant | 3:53 |
- Phonographic Copyright ℗ – Jean-Michel Jarre
- Phonographic Copyright ℗ – Disques Dreyfus
- Phonographic Copyright ℗ – BMG
- Copyright © – Jean-Michel jarre
- Copyright © – Disques Dreyfus
- Copyright © – BMG
- Licensed To – Sony Music Entertainment Germany GmbH
- Published By – Jean-Michel Jarre
- Published By – Francis Dreyfus Music
- Mixed At – Croissy Studio
- Remastered At – Yakuda Audio
- Distributed By – Sony Music Entertainment Germany GmbH
- Glass Mastered At – Sony DADC – A0102294037-0101
- Art Direction [Concerts] – Mark Fisher (5)
- Art Direction [Pani Projection] – Marie-Jeanne Gauthé, Paul Souverbie
- Bass – Guy Delacroix
- Composed By, Producer, Executive-Producer [Concerts] – Jean Michel Jarre*
- Conductor [Choir] – Bruno Rossignol
- Coordinator [Artistic] – Franck Dancelme
- Coordinator [Pyrotechnic] – Daniel Azancot
- Design [J.M. Jarre's Costume] – Yohji Yamamoto
- Directed By [Audio Director] – Eric Alvergnat
- Drums – Jo Hammer*
- Engineer [Sound] – Laurent Israel Alexandre*, Mick Lanaro
- Engineer [Sound], Mixed By – Denis Vanzetto
- Executive-Producer [Concerts] – Francis Dreyfus
- Guitar – Hank Marvin (tracks: 8, 9)
- Keyboards – Francis Rimbert
- Keyboards, Coordinator [Musical Coordination] – Sylvain Durand
- Lighting Director – Jacques Rouveyrollis
- Lighting [Special Effects Projection] – Christian "Léon" Miquel*
- Management [Artist Management] – Fiona Commins
- Management [General Management] – Anne Slizewicz, Roger Abriol
- Music Consultant [Ethnical Music Advisor] – Xavier Bellanger*
- Other [Stylist And Make Up] – Denis Pariente
- Percussion – Dino Lumbroso
- Performer [Solo Dance Performance] – Setsuko Yamada
- Photography By – Arnaud de Wildenberg, Charlotte Rampling, Claude Geiss, Jacques de Selliers, Lilian Birnbaum*
- Production Manager – Arnaud de la Villesbrunne
- Remastered By – Dave Dadwater
- Soprano Vocals – Christine Durand
- Stage Manager – Olivier Matabon
- Synthesizer – Dominique Perrier
- Synthesizer, Musical Assistance [Artistic Collaboration], Mixed By – Michel Geiss
- Technician [Technical Assistance] – Patrick Pelamourgues
℗ 1989 Jean Michel Jarre / Disques Dreyfus - BMG
© 2014 Jean Michel Jarre / Disques Dreyfus - BMG
Made in the E.U.
Staged by courtesy of Continetal Airlines, Polygram International, The Mirror Group, The London Bourrough of Newham, London Docklands Development Corporation.
The Docklands concerts (there were two), were held at the London Docks after long negociations and a great deal of to-ing and fro-ing on the part of the local community authorities. The Docks were to create the setting for a presentation of Jarre's album, Revolutions, an album clearly inspired by the history of the Docklands. The concert scheduled for September finally took place in October and the weather turned out to be typically british - rain and strong winds. Despite the weather, the concerts tickets sold in record time of a few hours, for a total of 400,000 in total over the two dates.
The stage was built on a 1,000 tons floating barge which lay in the Thames, on which Jarre and his musicians, a choir and an orchestra performed. It was a though this bleak area had been transformed for two evenings into an industrial, futuristic, multimedia theatre, which united Jarre's electronic music and vision, and the drab landscape of the Docklands in perfect, psychedelic harmony.
With the participation of: Akai - Apple France - Atari France - Elka - E.M.S. - Fairlight - Kawai Hohner - Lag Innovart - Laserpoint - Ludwig Pani - Music Connexion - Personnal Computer Ltd. - Philips - Piermaria - Raycom Communications - Roland - Roller Box - Skywatcher - S.P.L. - S.S.L. - Stacco Layher - Tektronix France - Studio Pastelle
Special thanks: Charlotte Rampling - Hélène Dreyfus - Robert Maxwell - Ian Maxwell - Mike Mansfield (2) - Hilar Stewart - Hilary Tiping - Jean-Louis Remilleux - Patrick Taillandier - Margarita Scheckel - Danièle Feuillerat - Bernard Baschet - Bernard Ribet - Yvon Kerampran - Roland Delacroix - Paul-Henri Wagner - Eric Cabedoce - Renaud Letang - Edith Napias - Gérald Ano - Louisa Chelouti - Pierrette Jacquard - The Carrol Group - The Mel Bush Organization Ltd - Bernard Beaugendre.
Crew: Abdel Aziz Touil, Antonio de Carvalho, Maurice Giraud, Gérard Pernet, Gilles Arsac, Sylvain Lefort, Paul Jarvis, Loïc de Montaignac, Dick Cruse, Dominique Wiedenhoff, Jean-Marc Felix, Guy Salles Surignac.
Mixed at Jean Michel Jarre Studio [Croissy Studio in the database]
Recording on Fleetwood Mobile, on Studer A 820 SR Dolby
New mastering from the original analog tapes - 2014
Issued in standard jewel case with transparent tray also 8-page booklet.
© 2014 Jean Michel Jarre / Disques Dreyfus - BMG
Made in the E.U.
Staged by courtesy of Continetal Airlines, Polygram International, The Mirror Group, The London Bourrough of Newham, London Docklands Development Corporation.
The Docklands concerts (there were two), were held at the London Docks after long negociations and a great deal of to-ing and fro-ing on the part of the local community authorities. The Docks were to create the setting for a presentation of Jarre's album, Revolutions, an album clearly inspired by the history of the Docklands. The concert scheduled for September finally took place in October and the weather turned out to be typically british - rain and strong winds. Despite the weather, the concerts tickets sold in record time of a few hours, for a total of 400,000 in total over the two dates.
The stage was built on a 1,000 tons floating barge which lay in the Thames, on which Jarre and his musicians, a choir and an orchestra performed. It was a though this bleak area had been transformed for two evenings into an industrial, futuristic, multimedia theatre, which united Jarre's electronic music and vision, and the drab landscape of the Docklands in perfect, psychedelic harmony.
With the participation of: Akai - Apple France - Atari France - Elka - E.M.S. - Fairlight - Kawai Hohner - Lag Innovart - Laserpoint - Ludwig Pani - Music Connexion - Personnal Computer Ltd. - Philips - Piermaria - Raycom Communications - Roland - Roller Box - Skywatcher - S.P.L. - S.S.L. - Stacco Layher - Tektronix France - Studio Pastelle
Special thanks: Charlotte Rampling - Hélène Dreyfus - Robert Maxwell - Ian Maxwell - Mike Mansfield (2) - Hilar Stewart - Hilary Tiping - Jean-Louis Remilleux - Patrick Taillandier - Margarita Scheckel - Danièle Feuillerat - Bernard Baschet - Bernard Ribet - Yvon Kerampran - Roland Delacroix - Paul-Henri Wagner - Eric Cabedoce - Renaud Letang - Edith Napias - Gérald Ano - Louisa Chelouti - Pierrette Jacquard - The Carrol Group - The Mel Bush Organization Ltd - Bernard Beaugendre.
Crew: Abdel Aziz Touil, Antonio de Carvalho, Maurice Giraud, Gérard Pernet, Gilles Arsac, Sylvain Lefort, Paul Jarvis, Loïc de Montaignac, Dick Cruse, Dominique Wiedenhoff, Jean-Marc Felix, Guy Salles Surignac.
Mixed at Jean Michel Jarre Studio [Croissy Studio in the database]
Recording on Fleetwood Mobile, on Studer A 820 SR Dolby
New mastering from the original analog tapes - 2014
Issued in standard jewel case with transparent tray also 8-page booklet.
- Barcode (Text): 8 88430 24732 1
- Barcode (Scanned (UPC A)): 888430247321
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